T.Y. B.A.(English)
Main English: ENG-CC-608: Literary theory / Criticism-2:(Unit-3)
Maharani Shree Nandkuvarba Mahila Arts and Commerce College , Bhavnagar
The philosophy of intentional fallacy suggests that, in literary criticism, the original meaning of the author is, perhaps, not the most important or correct interpretation of the work. In other words, there should be more freedom for the readers to interpret what they want from the information they receive. The concept is credited with first being introduced by William K. Wimsatt Jr., and Monroe Beardsley in 1946, and represents one opinion on literary criticism.
Intentional fallacy allows the readers a great deal of subjective freedom in determining what the work may say. Like anything, those readers who can make the strongest arguments to back up their points will likely receive more favorable responses. While it may seem as though this would change the meaning from what the author intended, it may or may not. If the author is clear in what is being written, readers may come to the same conclusion as the author.
Some may also apply this philosophy to other works of art, not just literature. For some works of art, interpretation is a key factor to an individual's enjoyment of that piece. Depending on how esoteric, or vague, a certain piece of art may be, it could be subject to a wide array of interpretations, especially if being viewed in a different time period than that in which it was created. Therefore, paintings, drawings, and sculptures could mean profoundly different things to different people.
Not all agree that the philosophy of intentional fallacy is correct or good. Rather, some believe the only way to truly understand a work is to try to determine the author's original intent, and the context in which it was produced. Depending on the situation, however, intentional fallacy may be a good way to come up with new and creative looks at old works.
For works of fiction and historical works, using intentional fallacy as a basis for literary criticism may provide some new insights. In some cases, the author's original intent may no longer be relevant to a reader. On the other hand, even if the original meaning is relevant, the new interpretation may better fit the reader's own personal set of circumstances.
In government, while it may not be called the same, intentional fallacy is also a philosophy some have subscribed to. Rather than trying to determine the original meaning of a legal document, such as a constitution, some may subscribe to a philosophy that discounts, at least to a certain extent, original meaning entirely. While this is not the same as a literary critique, it accomplishes the same thing philosophically, by opening up the document to reader interpretation without the limitation of trying to determine original intent.
#In Detail ......
The Intentional Fallacy is the fallacy of defining the meaning of a work using the author's intentions:
The author intended their work to mean this, and so it means this.
However, this has problems:
How does one know the author's intentions?
What if the author failed in conveying their intentions?
Quoting Wimsatt and Beardsley:
If the poet succeeded in doing it, then the poem itself shows what he was trying to do. And if the poet did not succeed, then the poem is not adequate evidence, and the critic must go outside the poem‑for evidence of an intention that did not become effective in the poem.
So, either the intention to convey a particular meaning is evident in the work, and therefore it already means that, or the work doesn't convey that intention, making it irrelevant.
This itself could be a fallacy: Does the author even have intentions? - as James Downey argues:
Sometimes an author deliberately composes without thematic intentions. ... So, let us consider the method which Salvador Dalí claims that he and Luis Buñuel used when creating Un Chien Andalou, to put together whatever images came to their mind without any particular intentions directing them. ... In such a work of art, it is not possible that any such intentions be shown, since there are none.
But there is still a definite intention behind such art, namely, the intention to compose with no thematic intentions. This intention could be successfully shown to an audience through a work, certainly. However, Dalís often intend otherwise (so they say). They may intend not to reveal whether or not there are certain, or even any, thematic intentions (perhaps that is an intentional anti-religious theme in that scene in Un Chien Andalou, after all; we do not know.) Perhaps, even, Dalí does not want us to know whether he wants us not to know. An intention not to reveal might apply to the intention not to reveal. What a grand game...
Related trope: The curtains are blue.
Human language is imperfect, and humans as well. The author may have tried to communicate and idea, yet they may have an imperfect command of the language, or of the art of story-telling, or may have used devices which undermined their intentions.
Is it still relevant today?
It is still relevant today, and it shall remain relevant: As time passes, language changes, the context changes, and it becomes more and more difficult to divine authorial intent. An author's creation often far outlives the author. Works are read without any knowledge of the author or the circumstances in which the work was created, and acquire a meaning of their own in the minds of the reader. This meaning cannot be dismissed because the author seemed to have intended another meaning.
The intentional fallacy is a misnomer in that the fallacy is not committed intentionally, but rather it relates to intentions. The intentional fallacy is the fallacy of using authors' intentions in interpreting literary works as opposed to interpreting the texts itself. Yes, it is very much relevant today as has been shown on this site. Most people still do not understand the differentiation between an authors' intentions and the interpretations of their work and those that do often ridicule it. As for whether it is important in modern literary theory, it is still important because nothing had changed to make it more acceptable to analyze intentions as opposed to meaning.
It is a fallacy because it is often unknown to those who commit it, but it is based on a flawed premise.
Sources:
The Intentional Fallacy by W.K. Wimsatt, Jr. and Monroe C. Beardsley
Encyclopedia Britannica
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